Dance for Everyone Teachers

Meet the teachers of the Dance For Everyone and Youth Program.

Richard Dickinson, MFA

Associate Artistic Director and Teacher

A former dancer with Ohio Ballet Dickinson’s association with that company began in 1988. He later became ballet master and director of company touring.  Dickinson was also a soloist with Boston Ballet for eight years. At age fifteen, he joined the Pasadena Dance Theatre and was awarded a National Endowment for the Arts Emerging Choreographer Award for a work premiered by the same company. He performed in the PBS television production of “Frankie and Johnny” with the Chicago Ballet. and danced principal roles in Asian, European and American tours with Rudolf Nureyev and the Boston Ballet. In addition to his professional work, Dickinson had an extensive dance career including principal and soloist roles at Chicago Ballet, Honolulu City Ballet and various regional companies. Previously, he served as Artistic Associate for Hubbard Street Dance Chicago and the Artistic Director of Ballet Western Reserve, Great Lakes Festival Ballet, Chamber Dance Theatre. He has also directed Boston Ballet II and has a Master of Fine Arts degree in Contemporary Dance from Case Western Reserve University.

Christina Lindhout

Dancer and Teacher

Christina Lindhout, from Mansfield, Ohio, started training in dance at the age of five at Opus II Dance Studio under the direction of Hellie Schussler. She became a member of Opus II’s pre-professional company, Ashland Regional Ballet, in middle school and remained with them through high school. She spent summers training at the Orlando Ballet School, Magnus Midwest, American Ballet Theatre, and BalletMet Columbus. Upon graduating magna cum laude from high school, Christina accepted a traineeship at BalletMet under the direction of Edward Liang. While at BalletMet, she had the opportunity to perform in many professional works with the company, including The Nutcracker, Swan Lake, Symphony in C, and Carousel. Christina joined Verb Ballets in 2014 and has been featured in works such as Bolero and Laura’s Women.

Kelly Korfhage

Dancer and Teacher

Kelly Korfhage, a native of Cleveland, began her training at age 10 under Joanne H. Morscher and Ana Lobe. She attended summer intensives at ABT Detroit, Central Pennsylvania Youth Ballet, BalletMet, Cincinnati Ballet, and North Carolina Dance Theatre. She furthered her dance education at the University of Cincinnati-College Conservatory of Music as a Corbett Award scholarship recipient, and graduated cum laude with a BFA in ballet performance. Following graduation, Kelly became a member of Kansas City Ballet’s second company, KCB2, for two seasons where she had the opportunity to perform with the company in repertoire such as Septime Webre’s Alice (In Wonderland) and Adam Hougland’s Rite of Spring. Kelly joined Verb Ballets in 2016 and has been featured in works such as Andante Sostenuto and Schubert Waltzes.

Antonio Morillio

Dancer and Teacher

Antonio Morillo is from Orlando, Florida. He received his Associate of Arts in Dance Performance from Valencia College and his BFA in Dance Performance from the University of South Florida. Antonio has performed with the Patel Conservatory’s Next Generation Ballet as well as Tampa City Ballet. He has performed works by Jon Lehrer, José Limón, Alonzo King LINES Ballet, Robert Moses’ Kin, and Maurice Causey. Antonio joined Verb Ballets in 2016 and has been featured in such works as Andante Sostenuto and Aposiopesis.

Kate Webb

Dancer and Teacher

Kate Webb grew up in Richmond, Virginia where she danced both as a student and as a trainee with Richmond Ballet. She trained around the country at numerous intensive programs such as Central Pennsylvania Youth Ballet, Boston Ballet, and Complexions Contemporary Ballet. Upon graduating from Appomattox Regional Governor’s School for the Arts, she attended Butler University on both dance and academic scholarships. While dancing with Butler Ballet, she performed in Poland, Slovakia, and the Czech Republic. After fulfilling her degree in three years, she graduated cum laude in May of 2015 with a BS in Dance-Arts Administration and high departmental honors. Kate joined Verb Ballets in 2015 and has been featured in works such as Peter Pan and Aposiopesis.

Maria Hanley


Maria Hanley is an early childhood dance and movement educator specializing in ages 0-6. She recently relocated to Cleveland from New York City where she was the creator of the early childhood dance program at the Jewish Community Center in Manhattan. In NYC, she taught at Mark Morris Dance Center and in the New York City Ballet outreach program. In Cleveland, she is designing and teaching early childhood dance classes at the Mandel Jewish Community Center and the Hudson Conservatory of Ballet. Maria has presented at the Dance Teacher Summit in New York City and California and at Energize in Chicago. She is the owner of Maria's Movers, a blog that offers support and curriculum for dance teachers all over the world. Maria holds a masters in dance education from New York University and is the mom of two young boys.

David Alvarez

Musical Theatre Dance Teacher

David Alvarez studied dance on a full merit scholarship in the Jacqueline Kennedy Onassis School at the American Ballet Theatre. While at ABT, he danced feature roles in The Nutcracker at the Kennedy Center Opera House and Sleeping Beauty at The Metropolitan Opera House. When David was cast to play Billy in the Broadway production of Billy Elliott the Musical, he began months of study in tap, acrobatics, voice and acting. He played Billy for two years on Broadway and jointly with Kiril Kulish and Trent Kowalik, won the Tony Award for best actor in a musical at the 62nd Tony Awards ceremony. He has received numerous awards, including the Astaire Award for best male dancer. After Billy, David continued his education and served in the US Army for two and a half years. He then returned to Broadway in a production of On the Town. Most recently, David came to Cleveland from Mexico City to complete his degree at Case Western Reserve University. While in Mexico, he trained and mentored the boys chosen as finalists for the first Mexican production of Billy Elliott the Musical. This also became the first time a child Billy went on to play the role of Older Billy in a production.