Video excerpts
Peter and the Wolf
Bolero
Andante Sostenuto
WORKS
Current Works in the Verb Ballets Repertory:
Andante Sostenuto
Choreography: Heinz Poll (1988) (company premiere 2006)Music: Felix Mendelssohn, Piano Concerto #2, D minor, Mvt. 2 Original Lighting: Thomas R. SkeltonLighting Adaptation: Trad A BurnsOriginal Costume Design: A Christina GianniniCostume re-construction: Janet Bolick World Premiere: April 8, 1988, E.J. Thomas Performing Arts Hall, Akron, Ohio. 1 woman, 1 manBy permission of Richard DickinsonThe original production of Andante Sostenuto was made possible by a grant from The Cleveland Foundation with assistance from Louise Guthman. This Verb Ballets premiere is made possible by the generous support of the AHS Foundation.
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Appalachian Spring ("Ballet
for Martha")*Choreography and Costumes:
Martha Graham (1944)
Reconstruction: Diane Gray and Gary Galbraith
Music: Aaron Copland**
Original Lighting: Jean Rosenthal
Original Set: Isamu Noguchi
Adaptation: Beverly EmmonsWorld Premiere: October
30, 1944
Martha Graham Dance Company
Coolidge Auditorium, Library of Congress, Washington, DCThe Bride, The Husbandman,
The Revivalist, The Pioneering Woman, The Followers (4)Springtime in the
wilderness is celebrated by a man and woman building a house with joy
and love and prayer; by a revivalist and his followers in their shouts
of exaltation; by a pioneering woman with her dreams of the Promised Land.Commissioned by the
Elizabeth Sprague Coolidge Foundation in the Library of Congress, Washington,
D.C. Presented by arrangement with Martha Graham Resources, a division
of the Martha Graham Center of Contemporary Dance. Verb Ballets’
performance of Appalachian Spring is made possible through the generous
support of the Kulas Foundation.*The original title
chosen by Aaron Copland was "Ballet for Martha," which Martha
Graham subsequently re-titled "Appalachian Spring."
** Used by arrangement with the Aaron Copland Fund for Music, copyright
owners; and Boosey and Hawkes, Inc., sole publisher and licensee. Recorded
by the Atlantic Sinfonietta, conducted by Andrew Schenck, courtesy of
KOCH International Classics.
Backlash
Choreography: Hernando Cortez (2006)
Music: Eric Ziolek, Verbtuosity
Musicians: Saxophone-John Perrine, Percussion-Benjamin Winters
Lighting: Trad A Burns
Set: Jordan Katz, Grafix Plastics
Costumes: Studio Sangha and Gina Dudik4 women, 2 menThe creation of Verbtuosity was funded by the Bascom Little Fund.
Special Thanks to Jordan Katz, Grafix Plastics
Before the Time After
Choreography: Mark Tomasic (2005)
Music: J. S. Bach, Concerto after Vivaldi in D Major, BWV 972
Lighting: Trad Burns
Costumes: Gino Ventura
4 women, 1 man
Bolero
Choreography: Heinz Poll (1996)
By permission of Xochitl Tejeda de Cerda
Music: Bolero, Maurice Ravel
Original Lighting: Julie Duro
Lighting: Trad Burns
Original Costumes: Christina Giannini
Costume Reconstruction: Janet Bolick
Restaged by Amy Miller7 women, 2 men
Carmina Burana
Choreography: Hernando
Cortez (2005)
Music: Carl Orff
Lighting: Chenault Spence
Costumes & Art Direction: Joan Yellen HorvitzWorld Premiere:
Friday, January 29, 2005
Ohio Theatre, Playhouse Square, Cleveland, Ohio.Full CompanyVerb Ballets performance
of "Carmina Burana" is generously underwritten by Joan Yellen
Horvitz.
Chichester
Psalms
Choreography:
Hernando Cortez (2003)
Music: Leonard Bernstein*
Lighting: Chenault Spence
Costumes: Janet Bolick
World
Premiere: December 12, 2003
Metro Theatre, Cuyahoga Community College, Cleveland, Ohio.Full Company*"Chichester
Psalms," written/composed by Leonard Bernstein, published by The
Leonard Bernstein Music Publishing Company LLC (ASCAP)
Christopher-Suite (Suite Francaise), op.23 (1953)
Choreography: Hernando Cortez (2006)
Music: Klaus George Roy, Duet in Ancient Style for Bassoon and Double Bass-delete
Musicians: Michael Schneider
Lighting: Trad A Burns
Costume Design: Gino VenturaFull CompanyDuet in Ancient Style, for the bassoon and double bass, was presented to Laura Koepke, bassoonist, and Jordan Frazier, double bassist, on September 3, 2001 in honor of their betrothal. About the Duet in Ancient Style, Dr. Roy comments; “The style of the Duet looks back a bit wistfully at that of past centuries, the adventurous 20th recently completed, and even the much lamented 19th, with a muffled cheer for the incipient 21st.”Christopher Suite is commissioned by Millie L. Carlson
Continuo
Choreography: Anthony
Tudor (1971)
Music: Johann Pachelbel
Restaged for Verb Ballets: Donald Maher
Costume Design: Lynn HoffmanPremiere: May 27,
1971
Juilliard Theatre, New York, NY3 men and 3 womenVerb Premiere at Cain
Park, Summer 2004
Presented by arrangement with the Dance Notation Bureau
Elegiac Song
Choreography: Heinz Poll (1968)
Music: D. Shostakovich
Original Lighting: Thomas Skelton
Lighting: Trad A Burns
Costume Design: A Christina Giannini
Costume Construction: Janet Bolick
Restaged by: Jane Startzman
6 women, 1 manMemories of wartime Germany inspired by the drawings of Käthe Kollwitz.
The
EnvelopeChoreography:
David Parsons (1986)Music: Gioacchino
Rossini
Restaged for Verb Ballets: Katarzyna Skarpetowska
Costumes: Judy Wirkula
Verb Costume Construction: Marlene Leber
Lighting Design: Howell BinkleyVerb Premiere at Cleveland
Public Theatre, March 2004Full CompanyA farcical and hysterical
romp where the dancers are pitted against a renegade piece of stationery.
Esplanade Choreography: Paul
Taylor
Music: Johann Sebastian Bach
Violin Concerto in E Major
Double Concerto for Two Violins in D Minor (Largo & Allegro)
Restaged for Verb Ballets: Hernando Cortez
Costumes: John Rawlings
Lighting: Jennifer TiptonFirst performed in
1975.Full CompanyVerb Premiere
at Cain Park, Summer 2004
Fluctuating Hemlines
Choreography: Erin Conway (2007) (Finale in 2002)
Music: Tiger Benford
Lighting Design: Raymond Kent
Costumes: ISIS Inc.5 women, 2 menWorld Premiere: Ohio, Cleveland Museum of Natural History, February 17, 2007
Forever in my mind
Choreography: Brian Murphy (2007)
Music: Ennio Morricone, played by Yo-Yo Ma
Lighting Design: Raymond Kent
Costume Design: Janet Bolick4 women, 2 menWorld Premiere: Ohio, Cleveland Museum of Natural History, February 17, 2007
Forever
Fling!
Choreography: Hernando
Cortez (2005)
Music: Celtic Traditional and Contemporary
Costumes: Christine LaPerna
Lighting: Trad BurnsFull CompanyCommissioned by the
Pilloff Foundation.
In
Passing
Choreography: Charlotte
Boye-Christensen (2004)
Music: Yo-Yo Ma, Cello; Obrigado Brazil, "Cristal," "Apelo,"
and "Salvador"
Lighting: Chenault Spence
Costumes: Janet Bolick6 women, 1 manNational Choreographic
Competition
In January 2003, Verb Ballets (then Cleveland Repertory Project) launched
its first National Choreographic Competition. The competition was marketed
through July 2003, by various national dance publications and online dance
services. Over 100 applicants sent videos and "choreographic intentions."
The jury included Verb Ballets Board members, staff, and dancers. After
an intense curatorial process, the jury fine-tuned the applicants to 30
finalists. From there, a subcommittee, led by Artistic Director Hernando
Cortez, met to review these talented choreographers. Ms. Boye-Christensen
was chosen after a rigorous decision process.
Ku'u Home
Choreography: Earnest T. Morgan (1967)(company premiere 2006)
Music: Jerry Santos and the Olomano Group
Lighting Design: Trad A Burns
Original Costume Design: Mia McSwain,
Costume re-construction: Janet Bolick1 manJason and Sydney would like to dedicate their performances of Ku’u Home to
Margaret M. Wong and Dr. Margaret Carlson
The
Last Sun
Choreography: Hernando
Cortez (2004)
Music: Philip Glass, Mishima
Lighting: Chenault Spence
Costumes: Gino Ventura2 women, 1 man"Larger than
worlds, larger than anything, it was."
- John C. Wright
Laura’s
Women
Choreography: Ian
Horvath (1975)*
Music: Laura Nyro**
Original Lighting: Jennifer Tipton
Costumes: Ginger Shane
Regisseur: Margaret CarlsonWorld Premiere: 1975,
Cleveland Ballet
Cleveland Play House, Cleveland, Ohio.3 women Verb Ballets’
revival of Laura’s Women is made possible by the generosity of Dennis
Nahat, Ballet San Jose Silicon Valley, Helen Horvath, and
Ginger Shane.*Originally choreographed
in honor of Kathleen Kennedy.
**"Emmie," "Poverty Train," and "Lonely Women,"
performed by Laura Nyro, written/composed by Laura Nyro, published by
EMI Blackwood Music Inc. (BMI
Like Being Awake Sleeping and Hearing Seeing
Choreography: Hernando Cortez (2005)Music: Sasha and John DigweedLighting: Trad A BurnsCostumes: Studio Sangha, Christine LaPerna, Edward Sylvia and Gina Dudik Premiered at Cleveland’s Ingenuity Festival in the summer of 2005, “Like Being Awake Sleeping and Hearing Seeing” pits opposite human states and senses together aiming to create an evocative, rather than informative, experience for the audience. A Surrealist ManifestoInspired by the works of Meret Oppenheim and Max ErnstSpecial thanks to Studio Sangha
Luis
Choreography: Mark Tomasic (2006)
Music: Uakti by Uakti
© 1987 Dunvagen Music Publishers o/b/o Uakti Music. Used by Permission.
Lighting Design: Raymond Kent
Costume Design: Edgar Day Stanton
Based on the short story LUIS by Dr. Richard Selzer*
Script Adaption: Eric Coble7 women, 4 menLuis was commissioned by the Hiram College Center for Literature, Medicine, and the Biomedical Humanities; the Tuskegee University National Center for Bioethics in Research and Health Care; and Case Western Reserve University School of Medicine Department of Bioethics for the national Global Health Care Justice symposium hosted at Hiram College in June 2006.
*This ballet is performed through arrangement with Georges Borchardt, Inc., for Richard Selzer.
The
Man and the Echo
Choreography: Hernando
Cortez (2002)
Music: Edvard Grieg*
Original Lighting: Chenault Spence
Costumes: Edward SylviaWorld Premiere: September
12, 2002
Cortez & Co. Contemporary/Ballet, Danspace Project
St. Mark’s Church, New York, New YorkFull CompanyMan: While man can
still his body keep
Wine or love drug him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more,
And till his intellect grows sure
That all’s arranged in one clear view,
Pursues the thoughts that I pursue,
Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.Echo: Into the night.
The Man and the Echo, William Butler Yeats (1938)*"Holberg Suite"
written/composed by Edvard Grieg.
MoonDogg:
A Rock and Roll Fantasia
Choreography: Hernando
Cortez (2003)
Music: Various Early Rock ‘N Roll Artists*
Costumes: Philip Heckman
Lighting: Chenault SpenceWorld Premiere: December
12, 2003
Metro Theatre, Cuyahoga Community College, Cleveland, Ohio.Full CompanyMajor funding for
MoonDogg provided by the National Endowment for the Arts.*"Right Now,
Right Now," performed by Alan Freed and His Rock & Roll Band,
written/composed by Charles E. Calhoun and Al Sears, published by EMI
Longitude Music (BMI); "Alright, Okay, You Win," performed by
Joe Williams, written/composed by Mayme Watts and Sydney J. Wyche, published
by Cherio Corporation and Melody Lane Publications Inc. (BMI); "Can't
We Be Sweethearts," performed by the Cleftones, written/composed
by Herbert Cox and Morris Levy, published by EMI Longitude Music (BMI);
"Big Heavy," performed by Alan Freed and His Rock & Roll
Band, written/composed by Cozy Eggleston, published by Eggton Publishing
Company (BMI); "Rock, Rock, Rock," performed by Jimmy Cavallo
and the House Rockers, written/composed by Glen T. Moore and Milton Subotsky,
published by EMI Longitude Music and Glenfoe Music Company (BMI); "Sincerely,"
performed by the Moonglows, written/composed by Alan Freed and Harvey
Fuqua, published by Alan Freed Music, Arc Music Corp., Irving Music Corp.
and Liaison Two Publishing (BMI); "Out of the Picture," performed
by the Robins, written/composed by Joe Lubin and Adam Roth, published
by Criterion Music Corporation (ASCAP); "Rip It Up," performed
by Bill Haley and His Comets, written/composed by Robert Alexander Blackwell
and John S. Marascalco, published by Sony/ATV Songs LLC (BMI); "Dance
with Me Henry," performed by Etta James, written/composed by Hank
Ballard, Etta James and Johnny Otis, published by Careers BMG Music Publishing
Inc., Fort Knox Music Inc. and Trio Music Co. Inc. (BMI); "One Night
Only," performed by Otis Williams and the Charms, written/composed
by Rose Marie McCoy and Charles Singleton, published by Bienstock Publishing
Company and Quartet Music Inc. (ASCAP); "Magic Touch," performed
by the Platters, written/composed by Ram Buck, published by AMC Incorporated
and Universal MCA Music Publishing (ASCAP); "The Saints Rock 'n'
Roll," performed by Bill Haley and the Comets, written/composed by
Milt Gabler and Bill Haley, published by MCA/Northern Music Company (ASCAP);
"Run Rudolph Run," performed by Chuck Berry, written/composed
by Marvin Lee Broadie and John D. Marks, published by St. Nicholas Music
Inc. (ASCAP). Music used by permission.
Mozart
Piano Trio in C Major
Choreography: Seán
Curran (2004)
Music: W. A. Mozart, Piano Trio in C Major
Lighting: Chenault Spence
Costumes: Janet BolickFull companyThis production made
possible with support from the Playhouse Square Foundation and The Kulas
Foundation.
Ocean Depths
Choreography: Hernando Cortez (2007)
Music: Richard D. Rinehart
Lighting: Trad A Burns
Costumes: Suzy Campbell7 women, 3 men
The creation of Ocean Depths is supported by RSIS; a NASA Glenn contractor and The Bascom Little FundAn Underwater Fantasy
Planet
Soup
Choreography: Hernando
Cortez (1999)
Music: Afro-Celtic Sound System, Dead Can Dance*
Original Lighting: Chenault Spence
Costumes: Edward SylviaWorld Premiere: 1999,
Cortez & Co. Contemporary/Ballet
Limelight Theater, New York, New YorkFull CompanySet to the Afro-Celt
Sound System and other contemporary World Music artists, the company’s
new signature piece unifies folk and vernacular dances from around the
world in an athletic hybrid of movement styles, including Indian traditional,
Irish reels, and African rituals. The cross-cultural fusion also incorporates
"Tinikling," the authentic Filipino folk dance in which dancers
step between clapping poles.*"Saor/Free/News
From Nowhere," performed by Afro-Celt Sound System, written/composed
by Ronan Cormac Brown, published by EMI Virgin Songs Inc. (BMI); "Whirl-y-reel
1," performed by Afro-Celt Sound System, written/composed by Simon
Daniel Emmerson and James McNally, published by EMI Virgin Songs Inc.
(BMI)Original production
of Planet Soup was created with funds from the National Endowment for
the Arts, Pennsylvania Council on the Arts, Née Dance Company,
and Purchase College Conservatory of Dance.
"please"
Choreography: Catherine Meredith (2007)
Music: Michael Nyman
Lighting Design: Raymond Kent
Costume Design: Kelly Michaels2 women, 2 menWorld Premiere: Ohio, Cleveland Museum of Natural History, February 17, 2007
Polka Madness
Choreography: Hernando Cortez (2007)
Music: Frankie Yankovic and Johnny Koenig
Lighting Design: Trad A Burns
Costume Design: Suzy CampbellThe Johnny Koenig Orchestra: Pete Oberson, Mark Habat, Magnolia Tetreault, and Johnny Koenig Full companyWorld Premiere: Ohio, Cain Park, July 20, 2007A madcap romp celebrating Cleveland's Polka tradition.
Prelude and Six Easy Pieces
Choreography: Hernando Cortez (2006)
Music: Jonathan Sheffer, Six Easy Pieces for Piano Solo - Three Common-Tone Studies, Three Dance Studies
Pianist: Michael Schneider
Original Lighting Design: Trad A Burns
Costume Design: Suzy CampbellWaltz-- Company
Prelude after Chopin-- 2 women
Octave Etude-- 1 woman, 1 man
Prelude-- 1 woman, 1 man
Polonaise after Debussy-- 1 woman and company
Tango-- 1 woman, 1 man
Prelude (reprise)-- CompanySix Easy Pieces premiered at Playhouse Square, Ohio Theater, in March, 2006.Prelude was created by Hernando Cortez for Fire Island Dance Festival 12, benefiting Dancers Responding to AIDS. Generous support for Prelude was provided by The Conway Family (World Premiere July 15, 2006)
Shadows of Nes-min
Choreography: Hernando Cortez (2006)
Music: Klaus George Roy, Christopher-Suite (Suite Francaise), op. 23 (1953), Overture, Passepied, Berceuse, Menuet I, Menuet II, Air Tendre, Air Vif, Gavotte, Air Tendre, Gigue
Pianist: Michael Schneider
Lighting Design: Trad A Burns
Costume Design: Suzy Campbell6 women, 2 menThe Book of the Dead was a collection of prayers and spells believed to provide aid for the spirit of the deceased in the next life. In this vignette, Nes-min is led into the presence of Osiris and the gods who judge the dead by Ma'at, goddess of truth. His judgment is represented by the weighing of his heart against an ostrich feather, symbolizing truth and right-doing. If he did not pass this individual judgment, his heart would be fed to the monster crouching in readiness before Osiris.Shadows of Nes-min was commissioned by Millie L. Carlson for The Cleveland Play House FusionFest, May 2006.
Sleep
Study
Choreography: David
Parsons (1987)
Restaged for Verb Ballets: Katarzyna Skarpetowska
Music: Flim and the BBs
Lighting Design: Howell BinkleyFull companyTrue to its name,
young and old alike will recognize the tossing and turning that make up
this sleep study.
Song and Dance
Choreography: Hernando Cortez (company premiere 2007)
Music by Andrew Lloyd Webber
Lyrics by Don Black and Richard Maltby
Co-Directed by Scott Spence and Hernando Cortez
Musically Directed by Larry GoodpasterProduced through special arrangement with R & H Theatricals
Speed
Choreography: Hernando
Cortez (2003)
Music: Alpha Team, DJ Keoki*
Original Lighting: Trad Burns
Costumes: Gino VenturaWorld Premiere: May
30, 2003, Cleveland Repertory Project
Playhouse Square, Cleveland, OhioSpeed/Icarus: One
MaleWings/Trixie: Three
FemalesCommissioned by Dancing
Wheels/Professional Flair and Sabattino Verlazza for The Icarus Project.*"Speed,"
performed by Alpha Team, written/composed by Dane Stewart Roewade and
Craig Takaoko, published by Insomniak Publishing (ASCAP), based on the
theme song from "Speed Racer," written/composed by Nobuyoshi
Koshibe and Yoshiyuki Yoshida, published by Speed Classic Music (BMI),
remixed by DJ Keoki as "Go Speed Go."
Super Friends
The Variety Show
Choreography: Hernando
Cortez (2006)
Music: TV Tunes
Lighting: Trad Burns
Costumes: Ginna Dudik
Full Company
A zany multi-section salute to favorite comic book characters from classic to current.
Tango Non Gender
Choreography: Troy McCarty (2005)
Music: I. Val Tango and Victoria Moran, El Amanecer
II. Edison Quintana, El dia que me quieras
III. Astor Piazzola, Calambre
Lighting: Trad Burns
Costumes: Troy McCarty
I. 4 women, 2 men
II. 1 woman, 1 man
III. 9 women, 2 men
A
Twist of Fate
Choreography: Hernando
Cortez (1999, Company Premiere)
Music: Elena Kats-Chernin, Clocks and Zoom and Zip
- By arrangement with Boosey & Hawkes, Inc., publisher and copyright
owner.
Lighting: Chenault Spence
Costumes: Edward SylviaFull company"In the middle
of the journey of our life, I came to myself in a dark wood where the
straight way was lost."
- Canto I, Dante's InfernoDedicated in loving
memory of Isabelita Cortez.Clocks was recorded
in 1996 by the Sydney Alpha Ensemble. Zoom and Zip was recorded in 1998
by Australian Chamber Orchestra. By arrangement with Australian Broadcasting
Corporation (ABC) Classics.Created and rehearsed
with funds from the Pennsylvania Council on the Arts, Philadelphia Dance
Projects, Philadanco, Purchase College Conservatory of Dance and Harkness
Space Grant.
Two
Hours That Shook the WorldChoreography: Hernando
Cortez (2002)
Set Design and Camera: Edward Hillel
Editing: Henry Joost
Music: Ges-E and Usman, Niraj Chag, Buffalo Springfield*
Original Lighting by Chenault SpenceWorld Premiere: September
12, 2002
Cortez & Co. Contemporary/Ballet, Danspace Project
St. Mark’s Church, New York, New YorkFull CompanyLike every other part
of the city, New York's dance community was profoundly affected by the
tragic events of September 11. In the one year since the terrorist attack
on the World Trade Center, there has been time for reflection and healing.
Many artists have created memorials, both physical and presentational,
in hopes of honoring those lost and uniting those who remain. I started to craft
this "memorial" dance performance only weeks after the attacks
-- though I didn't know it at the time. Like many New Yorkers, I had a
personal connection to the tragedy: one of my dancers, Liz Flynn, lived
only blocks from the WTC, and during the initial communication blackout
we panicked for we weren't sure whether she was safe (she was). We were
all so stunned at the time. If anything, I went
out of my way to NOT do a September 11 piece. But as we went through our
creative process, in the three first weeks of October, 2001, in our residency
in Scranton, PA, it became clear that something rooted in an emotional
connection to the event would evolve. How could it not? When not in the
studio, we were glued to the newspapers and television to update us about
our homes, our city! I feel strongly that while the work will definitely
resonate with New York audiences now, it's not necessarily intrinsically
tied to the WTC terrorist attacks. Two Hours That Shook The World is about
how humanity handles a monumental catastrophe. It could be Pearl Harbor,
or JFK's death -- or Martin Luther King's.
- Hernando Cortez*"Flute Song"
and "Dah Din Beats," performed by Ges-E and Usman; "Redemption,"
performed by Niraj Chag; For What It's Worth," performed by Buffalo
Springfield, written/composed by Stephen Stills, published by Cotillion
Music Inc., Richie Furay Music, Springalo Toones and Ten East Music (BMI).Created with generous
contributions from the Northeastern Educational Intermediate Unit 19,
Archbald, PA, Ballet Theatre of Scranton, Pennsylvania Council on the
Arts, DANSKIN™, Equinox Health Club 91st St (NYC).
Special Thanks to Dr. Catherine Richmond-Cullen for making this work possible.
Unquiet Minds
Choreography: Hernando Cortez (2005)
Music: Francis Poulenc, excerpts from Concerto for Two Pianos,
Concerto for Piano and Orchestra, Works for Two Pianos
Lighting: Trad A Burns
Costumes: Christine LaPerna5 women, 3 men
Unquiet Minds was originally developed on American Ballet Theatre II, commissioned by ABT Artistic Director, Kevin McKenzie. Reworked and re-envisioned for Verb Ballets, “Unquiet Minds” brings to life “Commedia del Arte” characters in their tragic yet hopeful existence.
Vagaries
Choreography: Marcela E. Alvarez-Lemus (2007)
Music: (sources) E. Satie, Andesmanta, Rammstein, Slipknot
Music Engineer: Hernando Cortez
Lighting Design: Raymond Kent
Costume Design: Maria D. Lemus5 women, 1 manWorld Premiere: Ohio, Cleveland Museum of Natural History, February 17, 2007
Wings
and Aires
Choreography: Heinz
Poll (1981)
Music: J.S. Bach, Brandenberg Concerto No. 4
Original Lighting: Thomas Skelton
Lighting: Trad Burns
Costumes: Janet BolickFull Company
Wolfgang Strategies
Choreography: Hernando Cortez (2006)
Music: Wolfgang A. Mozart, Symphony No. 28 in C Major
Lighting Design: Trad A Burns
Costume Design: Janet Bolick5 women, 4 men
