Dr. Margaret Carlson has worked internationally in performing, teaching, choreographing, and in arts administration. Dr. Carlson was an original member of the Cleveland Ballet, serving as a Principal dancer from 1972-1983. Also a member of Actors Equity, she performed in numerous musical theatre tours throughout the 1970’s, including Sweet Charity, Ballroom, How to Succeed in Business Without Really Trying, Brigadoon, Mame, Hello Dolly! and The Merry Widow. For many years, she choreographed for the Cleveland Opera. Dr. Carlson served as Director of the School of Dance at the University of Akron from 1985-1993. In 1993, she became Dean of the School of Dance at the Hong Kong Academy for Performing Arts, until she returned to Cleveland in 1999. She then served as the Development and Education Director for the Cleveland San Jose Ballet. She consulted both nationally and locally through her company, Carlson Consulting Group, Inc., with groups that have included The American Dance Guild, Chinese Performing Artists of America, Les Ballets Trockadero de Monte Carlo, Ohio Ballet, Dancing Wheels, Ohio Youth Ballet, Ohio Conservatory of Dance, Tom and Susana Evert Dance Theatre, and White Cloud Studios. Dr. Carlson founded the American Alliance of Dance Artists and served as its first President. She has served as a Board member and officer for Kids on Broadway, DANCECleveland, the Cleveland Ballet Council, the American Dance Guild, the Council of Dance Administrators, the Hong Kong Ballet, the Hong Kong Dance Company and The Hong Kong Jockey Club Music and Dance Fund. She served as the secretary of the International Organization for Transition for Professional Dancers, a sub-committee of UNESCO, based in Switzerland from 1998-2006, and was a Board member of the American Dance Guild in NYC for 20 years and served as its Treasurer and vice-president for 10 years. Dr. Carlson currently serves on the board of trustees of Fairmount Center for the Arts, Cleveland Dance Movement and the Cleveland Chamber Symphony. She is known for her work as the regisseur for the works of Ian (Ernie) Horvath and has been working with Ballet Tucson on the restaging of Horvath’s work, Laura’s Women. She received her doctorate from Durham University in the United Kingdom.
A former dancer with Ohio Ballet in Akron, OH, Dickinson’s association with that company began in 1988. He later became ballet master and director of company touring. Richard has served as Artistic Associate for Hubbard Street Dance Chicago. He currently is Associate Director of Verb Ballets. He was most recently the Artistic Director of Ballet Western Reserve, in Youngstown, OH and the Artistic Director of Great Lakes Festival Ballet (Warren, OH). Dickinson has also directed Boston Ballet II and was a soloist with Boston Ballet for eight years. At age fifteen, he joined the Pasadena Dance Theatre and was awarded a National Endowment for the Arts Emerging Choreographer Award for a work premiered by the same company. He performed in the PBS television production of Frankie and Johnny with the Chicago Ballet and danced principal roles in Asian, European and American tours with Rudolf Nureyev and the Boston Ballet. In addition to an extensive dance career, including principal and soloist roles with Ohio Ballet, Boston Ballet, Honolulu City Ballet, various regional companies and Chamber Dance Theatre in Milwaukee, where he was also Artistic Director. Dickinson has adjudicated four Regional Dance America festivals held throughout the United States. He received his Master of Fine Arts degree in Contemporary Dance from Case Western Reserve University in 2005.
Anthony Krutzkamp was born in Alexandria, Kentucky where he trained with Janet Schultz at Children’s Dance Theater. After attending the Cincinnati Ballet School, Krutzkamp began his formal training with Petrus Bosman and David Keener. His first professional company was Kansas City Ballet where he was cast as the Cat in Todd Bolender’s reconstruction of Balanchine’s Renard. After the completion of that season he moved on to Cincinnati Ballet where he was promoted every season until he reached the rank of principal dancer at age 23.
He has performed such classical roles as Prince Desire in Sleeping Beauty, Prince Charming in Cinderella, Siegfried in Swan Lake, Shakrier in 1001 Nights, and Romeo in Romeo & Juliet. He has also danced the lead in works by George Balanchine including Emeralds in Jewels, Theme and Variations, Concerto Barocco, Tchaikovsky pas de deux and Chaconne. His contemporary works include ballets by Twyla Tharp, Jorma Elo, Adam Houghland, and Darrell Grand Maultrie. As an international guest artist, Krutzkamp has performed Flames of Paris, Don Jose in Carmen, Solar in La Bayadere, Cavalier in The Nutcracker, Siegfried in Swan Lake, Franz in Coppelia, and Don Q Suite in Fukuoka and Okinawa, Japan.
As a choreographer, Krutzkamp has created and set works on Kansas City Dance Festival, Verb Ballets, Concert Nova, Kansas City Ballet’s Second Company, the University of Cincinnati Conservatory of Music/Dance Department, and for Kansas City Ballet’s New Moves. In addition to his position as Second Company Manager at Kansas City Ballet, Krutzkamp is co-artistic director of the annual summer performance event, Kansas City Dance Festival. He holds a Bachelor of Science in Management from Northeastern University in Boston and was recognized by the University with a diploma of high honors.
Verb Ballets, a contemporary ballet company, presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. Under the direction of Dr. Margaret Carlson, Producing Artistic Director and Richard Dickinson, MFA, Associate Director, the company will present a season that ignites passion in the energy, beauty and athleticism of dance.